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Discothèque" became used in French for a type of nightclub in Paris, after they had resorted to playing records during the Nazi occupation in the early 1940s. Some clubs used it as their proper name. In 1960, it was also used to describe a Parisian nightclub in an English magazine. Amyl, butyl and isobutyl nitrite (collectively known as alkyl nitrites) are clear, yellow liquids inhaled for their intoxicating effects. Nitrites originally came as small glass capsules that were popped open. This led to nitrites being given the name 'poppers' but this form of the drug is rarely found in the UK. The drug became popular in the UK first on the disco/club scene of the 1970s and then at dance and rave venues in the 1980s and 1990s. Disco declined as a major trend in popular music in the United States following the infamous Disco Demolition Night on July 12, 1979, and it continued to sharply decline in popularity in the U.S. during the early 1980s; however, it remained popular in Italy and some European countries throughout the 1980s, and during this time also started becoming trendy in places elsewhere including India [8] and the Middle East, [9] where aspects of disco were blended with regional folk styles such as ghazals and belly dancing. Disco would eventually become a key influence in the development of electronic dance music, house music, hip hop, new wave, dance-punk, and post-disco. The style has had several revivals since the 1990s, and the influence of disco remains strong across American and European pop music. A revival has been underway since the early 2010s, coming to great popularity in the early 2020s. Albums that have contributed to this revival include Confessions on a Dance Floor, Random Access Memories, Future Nostalgia, and Kylie Minogue's album itself titled Disco. [10] [11] [12] [13] Etymology [ edit ]Chris Eigeman as Des McGrath: A manager at the disco Alice and Charlotte frequent, casually dating Alice at one point. He provides comic relief in many sequences and provides much insight in conversations. He is intelligent but somewhat conniving, and hooks up with many women, with a routine of pretending to come out as homosexual when he has lost interest in them. In Beautiful Things in Popular Culture, Simon Frith highlights the sociability of disco and its roots in 1960s counterculture. "The driving force of the New York underground dance scene in which disco was forged was not simply that city's complex ethnic and sexual culture but also a 1960s notion of community, pleasure and generosity that can only be described as hippie", he says. "The best disco music contained within it a remarkably powerful sense of collective euphoria." [55]

Andrea Angeli Bufalini & Giovanni Savastano (2014). La Disco. Storia illustrata della discomusic. Arcana, Italy. ISBN 978-8862313223 The anti-disco movement, combined with other societal and radio industry factors, changed the face of pop radio in the years following Disco Demolition Night. Starting in the 1980s, country music began a slow rise on the pop chart. Emblematic of country music's rise to mainstream popularity was the commercially successful 1980 movie Urban Cowboy. The continued popularity of power pop and the revival of oldies in the late 1970s was also related to disco's decline; the 1978 film Grease was emblematic of this trend. Coincidentally, the star of both films was John Travolta, who in 1977 had starred in Saturday Night Fever, which remains one of the most iconic disco films of the era. Paul Gootenberg states that "[t]he relationship of cocaine to 1970s disco culture cannot be stressed enough..." [30] During the 1970s, the use of cocaine by well-to-do celebrities led to its "glamorization" and to the widely held view that it was a "soft drug". [34] LSD, marijuana, and "speed" (amphetamines) were also popular in disco clubs, and the use of these drugs "...contributed to the hedonistic quality of the dance floor experience." [35] Since disco dances were typically held in liquor licensed- nightclubs and dance clubs, alcoholic drinks were also consumed by dancers; some users intentionally combined alcohol with the consumption of other drugs, such as Quaaludes, for a stronger effect. Steve Hillage Terrascope Feature". terrascope.co.uk. Archived from the original on November 4, 2012 . Retrieved October 27, 2017.Trust, Gary (September 23, 2020). "BTS' 'Dynamite' Blasts in at No. 1 on Billboard Hot 100, Becoming the Group's First Leader". Billboard. Archived from the original on September 1, 2020 . Retrieved September 23, 2020. Glitter Jumpsuits with Gold Earrings Got to Love a Jumpsuit Get Similar Jumpsuits for this Disco Bachelorette Party Outfit Idea What the Funk?! How to Get That James Brown Sound". Gibson.com. Archived from the original on March 4, 2016 . Retrieved October 27, 2017. In Chicago, the Step By Step disco dance TV show was launched with the sponsorship support of the Coca-Cola company. Produced in the same studio that Don Cornelius used for the nationally syndicated dance/music television show, Soul Train, Step by Step's audience grew and the show became a success. The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in the disco clubs. The instructional show aired on Saturday mornings and had a strong following. Its viewers would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized steps. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park". Tim Lawrence: "Beyond the Hustle: Seventies Social Dancing, Discothèque Culture and the Emergence of the Contemporary Club Dancer." In Julie Malnig ed. Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader. Urbana and Chicago: University of Illinois Press, 2009, pp. 199–214. Online version: "Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer". Timlawrence.info. September 19, 2013. Archived from the original on October 12, 2017 . Retrieved October 27, 2017. .

Carolyn Farina appears in a brief cameo as Audrey Rouget from Metropolitan, as do her Metropolitan co-stars Bryan Leder (Fred Neff) and Dylan Hundley (Sally Fowler).The Last Days of Disco (15)". British Board of Film Classification. August 3, 1998. Archived from the original on October 9, 2016 . Retrieved February 2, 2016.