Damage: INSPIRATION FOR THE NETFLIX SERIES OBSESSION

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We believe that the untried soul, trapped in its young prison, might have flown free and known the joy that we still seek. For the first time in an outwardly lucky life, he feels passion and joy, emotions that a longtime ``happy'' marriage and fatherhood have never generated. She got frightened by its inevitable trajectory and left it untouched for many months having considered it far too dangerous to continue.

This New York Times bestselling novel, now in a brand-new edition, is a daring look at the dangers of obsession and the depth of its shattering consequences. Portrait of an obsession … Juliette Bincohe and Jeremy Irons in Damage, directed by Louis Malle (1992). Lady Saatchi wrote the New York Times bestselling novel Damage, which was the basis for the 1992 film of the same name, directed by Louis Malle and starring Jeremy Irons, Juliette Binoche and Rupert Graves. Some find it in the place of their birth; others may leave a seaside town, parched, and find themselves refreshed in the desert. I read this book with an increasing sense of dread – there’s no happy ending to a story such as this.He is a man who appears to have everything: wealth, a beautiful wife and children, and a prestigious political career in Parliament. Close to her own death the author linked the pain and danger experienced by the protagonists with her own childhood double loss, details of which she did not reveal. Knowing cats, a lifetime of cats, what is left is a sediment of sorrow quite different from that due to humans: compounded of pain for their helplessness, of guilt on behalf of us all. And while I did have trouble accepting that an intelligent man, who was in the public spotlight, would risk all that he had for a roll in the hay with this particular girl (any other girl, yes maybe), the story was engrossing.

A shocking novel about passion and betrayal, about a British politician who, in the prime of life and seems to have everything causes his own downfall through an inappropriate relationship. In addition, cool, self-confident Anna warns that she was irreparably damaged by her brother's suicide: ``Damaged people are dangerous.Some of the people she encountered saw that trail and run away, most did not see it but were attracted to the sheer hypnotic elegance of the movement.