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Evans, Everett (2 December 1990). "You need program to keep The Phantom of the Opera productions straight". Houston Chronicle. Archived from the original on 11 January 2012. Raoul accosts Madame Giry and demands that she reveal what she knows about the Phantom. She reluctantly explains that the Phantom is a brilliant scholar, magician, architect, inventor, and composer, who was born with a deformed face. Feared and reviled by society, he was cruelly exhibited in a cage as part of a travelling fair until he eventually escaped and took refuge beneath the opera house. Logan: Is there anything more perfect for the historic final performance of a beloved musical than said beloved musical’s final line literally being, “It’s over now, the music of the night”? The release of energy after he sang that line was huge, cathartic, climactic, and emotional—many tears were to be found throughout the house, including in this writer’s eyes. Laird gave us a special extra final moment, too, adding a last look at the audience before disappearing into his chair (sidebar: one of the all-time great musical endings). I hear that he did this at the final public performance April 15 as well, but it’s not in the typical staging for the moment. Whatever his inspiration, Leroux’s Phantom has captured imaginations for more than a century, and shows no signs of fading into obscurity any time soon. a b c Westley, Christine: "Phantom – The Las Vegas Spectacular. TheatreMania.com. Retrieved 16 September 2010.

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a b Paulson, Michael (29 November 2022). " Phantom of the Opera to Delay Broadway Closing After Sales Spike". The New York Times . Retrieved 30 November 2022. British album certifications – Stage Cast Recordings – Phantom of the Opera". British Phonographic Industry . Retrieved 7 August 2012.a b "Phantom Sequel, Love Never Dies, Now Due in London and on Broadway in March 2010". Playbill. 18 May 2009. Archived from the original on 18 January 2010.

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Gerald Martin Bordman (2004). The Oxford companion to American theatre p.496. Oxford University Press. "A British musical based on Leroux's famous novel". a b "Phantom live in cinemas for 25th anniversary". The Phantom of the Opera. 7 September 2011. Archived from the original on 1 January 2015 . Retrieved 28 January 2015. AWARDS FOR 1987–1988". outercritics.org. Archived from the original on 28 April 2020 . Retrieved 15 September 2019.Canadian album certifications – Various Artists – The Phantom of the Opera". Music Canada . Retrieved 7 August 2012.

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Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. p.284. ISBN 0-646-11917-6. a b Schell, Michael. "The Phantom of the Opera: Thoughts on Euromusicals, Puccini, leitmotifs, whole tones and symbolism as the "New Production" reaches Seattle". Schellsburg . Retrieved 22 August 2018. The Phantom of the Opera has been translated into several languages and produced in over 40 countries on 6 continents. With some exceptions like the 25th Anniversary UK and US Tours, these productions have all been "clones", using the original staging, direction, sets, and costume concepts. [89] [90] Notable international productions include the following:Having experienced both kindness and compassion for the first time, the Phantom frees Raoul. He also tells Christine that he loves her and she tearfully exits the lair with Raoul. As the angry search mob closes in, the Phantom huddles on his throne beneath his cloak. Meg is the first to enter the lair. She approaches the Phantom's throne and pulls away the cloak, finding only his mask ("Finale"). [19] Development [ edit ] Idea [ edit ] While Leroux’s novel was based on historical events and figures, the character of the Phantom was largely fictional. However, there are several theories about who or what inspired Leroux to create this enigmatic figure. One popular theory suggests that the Phantom was based on Erik, a real-life 19th-century French serial killer. Another theory links the character to Louis De Chagny, an actualOpera Garnier employee who disappeared under mysterious circumstances in 1899. Of course, there are other theories about the phantom’s identity, but this is one of the most popular. Panama: For the first time in Central America, El Fantasma de la Opera played in Spanish at the Teatro Anayansi of the Atlapa Convention Center from 23 to 25 September 2016, directed by Aaron Zebede. Randy Dominguez starred in the role of The Phantom, with Maria Fernanda Achurra as Christine and Leo Almengor as Raoul. [118]